Rebecca Wyn Kelly : The Dulas and its Tributaries

Never before have I seen a more exemplary example of outsider art. This fictional universe tucked away in the forest, far away from cultural constraints, filled my creative lungs with fresh air.  I’d left behind the compulsions of society to allow space to be my true self. Geographically Stiwdio Maelor is outside of the art world. A palace that’s detached and disconnected for all the right reasons. It is a gift. A rare moment to reassess and reimagine my practice. 

‘There’s nothing to be scared of. I’ll hold your hand’  I extended my palm to greet Veronica’s, and a wave of protection washed away my fear.  Before I knew it, I was deep inside a gaping wound forged by our mining forefathers. Being an artist can be frightening, but Stiwdio Maelor is a safe space made so by the hospitality of its keepers.

Water symbolises purity, energy and well being and is universally recognised to have sacred, healing powers. When I entered the water, I transcended into the metaphysical realm of the divine Corris. The flow of the water invigorated my being. The Dulas and its tributaries touched my soul. Its Genius Loci resonates, and I’ve found myself returning to deepen my relationship with my newfound friend.

Meeting Mark and Jude Macklin at Stiwdio Maelor was exquisite serendipity. Since the retreat, they have become mentors for my research and development project 5540. The project address the impact of pollution and climate change on the river Arth. We are now river kinfolk with a shard vision to safeguard the future of the River Arth.

Jude Macklin and Mark Macklin at Retreat 3.